Luigi Ceccarelli

ceccarelliLC_Vimeo_logo LC_Youtube_logoLC_Soundcloud_logo LC_Flickr_logoLC_Facebook_logoHe is a co-founding member of the “Edison Studio” and  since the 1970s he has worked as a composer of music with live electronics. He is interested in all forms of sound, irrespective of genre, and in the relationships between music and the performing arts.

 His work as a composer has brought him international recognition (Bourges Festival Prizes, UBU Prize – given by Italian theatre critics, Ars Electronica – Linz, MESS Festival Prize in Sarajevo, Special Prize at the BITEF Festival in Belgrade, “Hear” Prize by Hungarian Television, Opus Prize” from the “Conseil de la Musique du Quebec”). His works have been chosen many times for performance at the International Computer Music Conference and

 he has written various works for radio produced by the Italian broadcaster RAI and he composed work for theatre with “Teatro delle Albe”, “Fanny & Alexander”, and work for dance with “Wee Dance Company” and Robyn Orlin.
 Luigi Ceccarelli has held the post of Professor of Electronic Music Conservatory of Music of Latina.


Open Borden – Music Improvisation

Musical theatre and performance

open border concert improvisation

Luigi Ceccarelli – live electronics
Hamid Drake – drums, percussions
Gianni Trovalusci – flutes
Ken Vandermark – sax and clarinets

Forlì, 14 ottobre 2018 October 14, 2018, Forlì (Italy) 7:15 pm, church of S. Giacomo
Forlì Open Music

Open Border – Extract – Forlì (Itay) October 14 2018 from luigi ceccarelli on Vimeo.

Vynil version 12″ and digital download version – from March 23 2020
Catalytic Sound

Buy here


Rick Mathis What impresses me most is that, unlike many other electronic musicians, Ceccarelli’s playing has the distinct ability to “breathe” just as much as his fellow artist’s acoustic instruments. The music seems to float, mingle, seperate, and then join again as a beautiful tapestry of sound is produced. Mesmerizing!!! 😎

How to open the curtain on a sidereal abyss: Open Border, an open border, worlds that we don’t know yet and are familiar and that we return to visit with great joy in listening …

This stellar quartet, assembled by Ariele Monti (deus ex machina of the Forlì club [Seismic Area]), closed the edition two years ago with a thrilling live which now (edited) becomes a 12 “vinyl (and download) for Ken Vandermark’s Audiographic Records, which produces the work together with Ariele Monti and Area Seismica. What we listened live and we hear now on lp was the tasty and forbidden fruit of the first ever encounter between these heavyweights: Ken Vandermark on saxophones and Hamid Drake on drums to guard the avant-jazz side of the territory, Gianni Trovalusci on flutes and sound pipes (at dinner then on the evening of the concert he would have told me that they were the pipes of a tent … when the genius is said) to probe the land of the contemporary and Luigi Ceccarelli, who turns out to be the real sorcerer, to process the sound of the other three live, adding scientific delirium to delirium, bright confusion to confusion. Pagan music and cultured arm in arm in Hyperuranium, dense and tense silences, stalking, escapes, ambushes, clearings, archaic and forbidden fantasies, lux aeterna, drums.

Thanks to Ceccarelli’s abstract and punctual electronics, the sound is refracted in bottomless wells; the acoustic rain of tenor, flute and percussion becomes hyperreal, a filigree dream. The climate sometimes resembles a more shaggy Threadgill, then there are explosions like in Coltrane’s Interstellar Regions, with live electronics adding quarters of strangeness and impregnability, but every reference is in vain because the music we listen to is truly new and unheard of, creepy. Trovalusci at the sound pipes is a shaman in the academy, the tenor sax turns into a cello, it is the sound of a perennial metamorphosis, a free chrysalis that take off as a contemporary butterfly. The clear feeling is that this is an important musical encounter, the seed of a forbidden and tasty fruit, which no God will be able to prevent us from tasting. A sincere praise therefore to those who thought of bringing these musicians together in space, allowing us to sail with them. At times the ears imagine the music of the pygmies played by Stockhausen, the heart listens to ancient and brand new speeches, elusive secrets, the eyes are dazzled by so much monolithic, kaleidoscopic clarity.

This music creates (and needs) space: a long theory of vanishing points, a cold that tastes of galaxy, cosmic wind, black holes, delicate and powerful epiphanies, sounds in constant movement, pregnant with questions, vague and storytellers yet steadfast in their drift, philosophical and orgiastic, unstoppable, fluid, natural as a breath. Music that seems the transcription in score of a Nietzsche book, ruthless and bloody human. Thirty-five minutes simply amazing.
Nazim Comunale – The New Noise 11/04/2020



Time to live in the desire for research
“Open Border”, the album that reproduces the concert of the ensemble of the same name at the Forlì Open Music festival in 2018

Occasionally radical free improvisation and contemporary music of radical “learned” origin intersect and become the same thing. Contemporary music understood as the time of living with the desire for research, pleasure, the composition of open relationships. An event like this took place in October 2018 at the Forlì Open Music festival. The ensemble gathered for the occasion was called Open Border (precisely …). And this name is also the title of the album that reproduces that concert.
LUIGI CECCARELLI, a well-known composer in the “contemporary” anti-dogmatic, makes the director (re-inventor, inventor) of the completely improvised session somewhat to electronics. Hamid Drake, a beloved jazz percussionist, a great virtuoso, a practical seducer of avant-garde and Africanism, pantry touches that would make Stockhausen’s envy. Gianni Trovalusci, flutist who willingly switches from free music to neue musik (he is Roscoe Mitchell’s favorite partner), blows long and pointed sounds that travel in galaxies into tubes of various sizes. Ken Vandermark, saxophonist and clarinetist, shows off his best skills as an ultra-free jazzman, forgets Rollins and draws on Ligeti. Yummy cocktail.
(Mario Gamba- Il Manifesto (