The audience is entering the hall at the Vascello theater in Rome and Paolo Ravaglia on bass clarinet is already playing an introduction – or do we want to call it an overture? – to the stage action Live *,
“What do they say about Jerry Geremia Olsen?” asks the croaking voice. “That he is the greatest rock guitarist in history” answers the voice. “Well, probably the greatest… probably!” continues the voice with all the anger it can muster. Jerry
Many commentators may be declaring that this dialogue between the Gregorian chant and artificially produced sounds that have been manipulated, integrated and circulated by a computer is a mystical experience of the fifty-two year old composer from Rimini, Luigi Ceccarelli
