Interview by Oliviero Ponte di Pino with Luigi Ceccarelli Published in the internet magazine “a Teatro” September 2001 1- Why did you approach the theater? Was musical theater already a line of work that you pursued in your musical research?
Luigi Ceccarelli’s music for Alcina is comparable to that of Verdi for La Traviata and that of Glass for Einstein on the Beach. The beginning of the play blazes with a sense of absolute and authentic pathos: a French horn
Susanna Persichilli interview with Luigi Ceccarelli published on n. 39 (January / February 2001) of the magazine “I Fiati” How did you get into electronics? My musical studies were very special. I graduated, at nineteen, in industrial electronics; up to
