Alessandro Cipriani, Maurizio Giri Electronic Music and Sound Design Vol. 3 Theory and Practice with MAX 8 Foreword by Carmine-Emanuele Cella ISBN-13: 978-9788899212247 Paperback: 762 pages + companion page Language:English Also available in iBook format at the Apple Store Overview This is
Alessandro Cipriani, Maurizio Giri ELECTRONIC MUSIC AND SOUND DESIGN VOL. 1 WITH MAX 9 Theory and Practice with MAX Fifth Edition updated for MAX 9 Foreword by David Zicarelli ISBN-13 Max 9 version: 978-8899212285 ISBN-13 Max 8 version: 978-8899212100 ISBN-13 Max 7
Este es el primer libro de un método educativo integral compuesto por varios volúmenes. A cada capítulo de teoría corresponde un capítulo de práctica con el software Max y una sección en línea.
Structured for use in university courses, the book is an overview of the theory and practice of Max 8, with a glossary of terms and suggested tests that allow students to evaluate their progress.
ALESSANDRO CIPRIANI VOICES Available on CD, numbered limited edition LP, Hi-Qu music, ITunes, Spotify.
DVD - Cineteca di Bologna - 2017 - 2 Dvd with booklet - contains the soundtrack by Edison Studio, 2017 (DTS 5.1 and stereo) - Languages: Russian, Italian subtitles.
Alessandro Cipriani, Maurizio Giri: Electronic Music and Sound Design vol. 2 for Max 7. To be released within October 2017. More info: www.virtual-sound.com.
Theory and Practice with Max 8 – Volume I - English version - Foreword by David Zicarelli - ISBN-10: 8899212104 - ISBN-13: 978-8899212100 - Paperback: 592 pages + online.
Movie by Robert Wiene. Live computer soundtrack by Edison Studio: Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, Alessandro Cipriani.
PURE DATA: Musica Elettronica e Sound Design. Teoria e Pratica - volume 1. The New Book in Italian. Sorry, this entry is only available in Italiano.
Theory and practice with Max 7 - Vol. I - I-Book and paperback. Preface by David Zicarelli. Formato: 572 pages + online extension. ISBN: 13: 978-8899212025.
More than 500 pages, interactive examples, hundreds of patches, online support, theory and Max/MSP glossary, test, reverse engineering exercises, analyses, completion and correction of patches, etc.
Virtual Sound is an in-depth tutorial in computer music, complete with user-friendly exercises in Csound that illustrate the theory and practice of each type of sound synthesis and processing.
Cipriani A., Latini, G., 2008. "Global/Local Issues in Electroacoustic Music for the Cinema of the Real: A Case Study" in Organised Sound 13/2 Cambridge University Press.
Edison Studio - DVD - 4 videos by A. Cipriani, M. Cardi, L. Ceccarelli, F. Cifariello Ciardi - Edizione Auditorium - 2007.
Cipriani A. 2007. “Riccardo Bianchini and Electronic Music” in Musica/Tecnologia n.1, Firenze University Press (it contains the definitive catalogue of Riccardo Bianchini works).
for tape included in the CD: XXI Musicale Elettronica Italiana Vol.2 Distributed by Halidon - halidon.it iTunes.
Cipriani A., Giri M., 2006. “Integrated System for Cross-Platform/Cross-Application Education on Sound Synthesis and Signal Processing” in Proceedings of the International Computer Music Conference 2006 - New Orleans - USA.
Cipriani A., Cifariello Ciardi F., Ceccarelli L., Cardi M., 2006 “Nuove tecnologie e composizione collettiva per il cinema muto” in Close Up Anno X - n. 18, marzo-giugno 2006 - edizioni Kaplan, Torino.
This article describes the collective experiences of the four composers at Edison Studio, who have recently been working on the soundtracks for two silent movies.
Cipriani Alessandro, 2003. “Il Suono Digitale per il Cinema: da Leacock a Dogma 95” in "Close Up", anno 7 n.14, 2003 Revolver Bologna.
Al Nur (La Luce) - Islamic Chant (Tape - surround 5.1) - Performers: Nour-Eddine Fatty, Mohsen Kasirossafar in "Computer Music Journal Sound and Video Anthology DVD 2003" (M.I.T. Press) CMJ 27, 4.
for metal percussion, voice, daf and electronics - Text: Mowlana Jalal-addin Rumi (Persia) - Performer: Mahammad Ghavi Helm - Voce e percussioni: 18' - included in the CD: Zarbing La Frontiera/RAI Trade LFDL 19401-RTP0090.
Cipriani Alessandro, 2001, "Energie Elettroniche" in QsQs anno III n.16. Roma: CNI.
Performers: Nour-Eddine Fatty, Jamal Alouassini, Chinese Virtuosi, Fan Wei Qing, Song Fei, Mohsen Kasirossafar, Giacomo Baroffio, Maurizio Verde, Benjamin Chadabe, Laure Gilbert, Letatlin.
for islamic chant, zarb, daf and tape - performers: Nour-Eddine Fatty, Mohsen Kasirossafar - Duration: 17'45" - included in: International Computer Music Conference ’99 – PRCD2000 - available: cnimusic.it.
R.Bianchini, A.Cipriani (1999) "Virtual Sound On Line - Computer Music Courses on the Internet" - in Proceedings of the International Computer Music Conference. Beijing, China: International Computer Music Association, pp. 161-163.
Cipriani A. 1998. "Musica e Internet: arte come esperienza, arte come codice" in Aperture n. 5, Roma.
Cipriani A. 1998. "Kontakte (Elektronische Musik) di K.Stockhausen: genesi, metodi, forma" in Bollettino G.A.T.M. anno V, n.1 GATM Univ. Studi Bologna. Bologna: LIM.
Cipriani A. 1996. "Tradizione orale, tradizione scritta, tradizione elettroacustica" in Atti del II Convegno La Terra Fertile - Incontro Nazionale di Musica Elettronica, pp. 58-63 - L'Aquila: Conservatorio di Musica "A.Casella".
Cipriani A. 1996. "Verso una tradizione elettroacustica? Appunti per una ricerca" in Musica/Realtà, pp.18-24. N°49 Marzo Lucca: LIM.
IL PENSIERO MAGMATICO. Co-autore Stefano Taglietti performers: Stefano Taglietti, Alessandro Tomassetti, Coro Aureliano PAN CD 3059 (1996) EDI-PAN - Durata: 53′ - www.contemponet.com.
Cipriani A. 1995. "Problems of methodology: the analysis of Kontakte" in Atti del XI Colloquio di Informatica Musicale, pp. 41-44 Bologna: Associazione Italiana Musica Informatica AIMI.
Cipriani A. 1995. "Towards an electroacoustic tradition?" in Proceedings of the International Computer Music Conference, pp. 5-8. Banff, Canada: International Computer Music Association.
Cipriani A. 1993. Due tesi complementari sulle due versioni di Kontakte di K.Stockhausen - Tesi di Diploma in Musica Elettronica. Roma: Conservatorio di Musica S. Cecilia.
