Il Diario di Eva
Semi-scenic Opera for dancer/actress, soprano and ensemble
concert version 
Music Mauro Cardi
Libretto Mauro Cardi and Cristina Papi
freely adapted from Mark Twain's "Eve's Diary"

Centro Culturale Murate Art District
Florence, 15th December 2020
GAMO Ensemble: Valeria Matrosova soprano, Sara Minelli flute, Alberto Bologni violin,  Valeria Matrosova soprano, Sara Minelli flauto/ottavino, Nicola Tommasini accordeon, Alberto Bologni violin, Elida Pali cello, Omar Cacchi, percussions
Silvia Franco actress
Francesco Gesualdi conductor
LIve recording - EMA Vinci service

Il Diario di Eva
Semi-scenic Opera for dancer/actress, soprano and ensemble
Music Mauro Cardi
Libretto Mauro Cardi and Cristina Papi
freely adapted from Mark Twain's "Eve's Diary"

Certosa di Firenze, 13th October 2019
GIF, GAMO International Festival – SIAE Classici di Oggi – Festival Estate Fiorentina 2019
GAMO Ensemble: Valeria Matrosova soprano, Sara Minelli flute, Alberto Bologni violin, Michele Marco Rossi cello, Nicola Tommasini accordeon, Marco Farruggia percussions
Silvia Franco dancer/actress
Francesco Gesualdi conductor
Mise-en-scène Cristina Papi
live recording

Sinfonia (après Haydn 104) (2019) 
for orchestra

Work written for the 60th of the Orchestra Haydn di Bolzano e Trento and commissioned with the support of SIAE – CLASSICI DI OGGI 2018-19

First performance recording :
Bolzano, October 12th, 2019
Orchestra Haydn
Timothy Redmond conductor

Ritratto contemporaneo di Mauro Cardi
(part II)

by Francesca Checchi
music Mauro Cardi

with Sonia Bergamasco, Guido Barbieri, Stefano Cardi

Post production audio Edison Studio
Post production video IOYO Lab

Edizioni musicali RAITrade (c) 2010 Cardi, Checchi

Ritratto contemporaneo di Mauro Cardi
(part I)

by Francesca Checchi
music Mauro Cardi

with Sonia Bergamasco, Guido Barbieri, Stefano Cardi

Post production audio Edison Studio
Post production video IOYO Lab

Edizioni musicali RAITrade (c) 2010 Cardi, Checchi

Manao Tupapau
for flute (piccolo, flute in G), percussions and tape
has been composed in 1996. The work is included in
the project Variations Kreisel inspired to the theme
of the relation between music and colour.
The painting Manao Tupapau represents a perfect
fusion of music and literature, composition and
symbol. The electronic researches interactions
between instruments and tape. The elaboration
concerns many different samples of sounds
obtained by the same instruments and constitutes
a third line of sounds, a perspective and a depth
of field given to the live instruments, and, at last,
a kind of trompe-l'oeil in which the live instruments interact with the recorded, in order to create new parametric evolution of the natural sounds, and so simulating a real time intervention over the live
played music. The tape has been realized at the
Istituto Gramma. The samples has been produced
with Giuseppe Pelura and Rodolfo Rossi.